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Cinematic Shakespeare (Genre and Beyond: A Film Studies Series)
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Review
Anderegg's witty, user-friendly, and exquisitely detailed analysis of film's effort to retain even as it reconstitutes 'Shakespeare' for changing audiences at crucial historical junctures distinguishes this book as a vital contribution to the combined fields of Shakespeare and Film Studies, as well as a sheer delight to read. (Courtney Lehmann, University of the Pacific)Zestfully and engagingly written, informed by a commanding knowledge of performance and cinematic traditions, Michael Anderegg's overview of the twentieth century's approaches to bringing Shakespeare to the screen is consistently fresh and provocative. His sharply-etched assessments of a remarkable range of films emphasize the ways in which Shakespearean actors and directors have used (and abused) the cinematic medium and its generic conventions. Anderegg's insightful commentary on the relatively neglected topic of Shakespeare on TV is especially welcome. His is a valuable and important contribution to the scholarship on Shakespeare's afterlife in moving pictures. (Douglas Lanier, University of New Hampshire)This volume will be valuable to those interested in both Shakespeare and film adaptation. Recommended. (CHOICE)A valuable guide to the ongoing challenge of "representing" Shakespeare as a textual and cultural classic. (Cineaste, Fall 2009)Michael Anderegg follows up his wonderful book on Orson Welles and Shakespeare with an engaging and wide-ranging account of Cinematic Shakespeare. Anderegg casts his lively and judicious critical intelligence over film and television adaptions of Shakespeare from the big Hollywood studios to the Maurice Evans/George Schaefer Hallmark 'Hall of Fame' productions to the more recent films of Branagh, Nunn, Loncraine, Hoffman, and Noble. He has interesting and discerning 'takes' on all of these productions and his book is an important and welcome addition to the growing critical literature devoted to Shakespeare on Film. (Samuel Crowl, Ohio University)
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About the Author
Michael Anderegg is professor of English and film studies at the University of North Dakota. He is the author of William Wyler (1979), David Lean (1982), and the editor of Inventing Vietnam (1991). His most recent book is Orson Welles, Shakespeare, and Popular Culture (1999).
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Product details
Series: Genre and Beyond: A Film Studies Series
Hardcover: 248 pages
Publisher: Rowman & Littlefield Publishers (November 22, 2003)
Language: English
ISBN-10: 0742510913
ISBN-13: 978-0742510913
Product Dimensions:
6.2 x 0.7 x 9.3 inches
Shipping Weight: 15 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
2 customer reviews
Amazon Best Sellers Rank:
#1,706,963 in Books (See Top 100 in Books)
A great deal of intellectual meat here. I'm going to have to re-read Cinematic Shakespeare a few more times to pick up all the nuances of Shakepearian film and productions that Dr. Anderegg has been able to evaluate in this study.When I was at UND, I didn't have the opportunity to take a Shakespeare class from Dr. Anderegg which was a shame. Widely considered to be one of the best Shakespeare instructors at the college, his knowledge and command of the Bard and Film Studies was evident even than and here.One can only imagine all the research done. Not just in finding videotaped copies of fifties productions, but researching what some of the leading Film and Arts critics said at the time. Outstanding research. Dr. Anderegg postulates, Is there a "perfect" Shakespeare film or production? There seems to be no solid answer, but looking into this yields some scholarly observations.His observations from the ealiest days of the Hallmark Hall of Fame presentations featuring Mauice Evans to the more recent Hamlet with Mel Gibson are astute and well thought out. He also raises such insights as Shakepeare's productions having "hybridity," with aspects from various plays and films moving from one genre to another, and mixing elements of both.Throughout the book, box-blurbs are full of interesting anecdotes that help to break up the dryness of some of the chapters. This helps make things more reader-friendly.In the last chapter, it is presented how Shakespeare has surplanted other classical writers such as Homer, Aeschylus, and Tacitus in classical studies. This is a very valid conclusion. In today's society, it seems that Shakespeare is as "classical" as some students want to take it. But I found myself wondering what the good professor thought of the importance of those writers himself?I do envy Dr. Anderegg's opportunity to review these productions, and reading this text has whetted my appetite for reading some of Shakespeares plays again.Wonder if he's seen the "Shakespeare" episode of Jimmy Neutron yet?JthreeWilliston ND.
Mr. Anderegg writes beautifully about the art of adapting, acting, and filming Shakespeare. His knowledge of the subject is endlessly fascinating and quite personal.
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